News & Updates

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Featured Book: The Art of Work by Jen Fitzgerald — Louis Zukofsky once wrote that poetry’s lower limit was speech and its upper limit was…more »

Featured Book: Requiem For The Tree Fort I Set On Fire by Tim Tomlinson — “Tim Tomlinson writes poetry with character and characters, with moods and drifts, with the spoken…more »

A Night at the Gallery: PLEASE JOIN US FOR THE FUN OR DONATE BELOW — A Night at the Gallery New York Writers Resources Fundraiser OUR CURRENT FUNDRAISING EFFORTS WILL…more »

Join us at the next Trumpet Fiction Reading every second Saturday at KGB.

Radio Interviews

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JUNE – Click here to listen to Tim Tomlinson‘s June live reading & interview with Danielle Smith at Studio A WKCR – FM NY & here to listen to Tim’s April interview for National Poetry Month at WNYU. 

AUGUST – Click here to listen to Yvonne Cassidy’s WKCR – FM NY interview and here for Charles Salzberg’s interview. 

SEPTEMBER / OCTOBER – Click here to listen to Jen Fitzgerald’s September live reading & interviewVisit our calendar to view upcoming radio interviews with Rita Gabis and Mary Stewart Hammond.

Classes

Our instructors lead classes and workshops for all levels, across a range of genres, through the JCC in Manhattan, the New York Public Library, online, and at other venues in New York City, nationwide, and abroad. Learn more.

Conferences

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New York Writers Workshop hosts three-day Pitch Conferences in New York City for writers of Non-Fiction and Fiction. Each Conference is offered twice a year, in the Spring and Fall. Learn more.

Featured Books

Requiem For The Tree Fort I Set On Fire by Tim Tomlinson and The Art of Work by Jen Fitzgerald

 

“Tim Tomlinson writes poetry with character and characters, with moods and drifts, with the spoken word at its core, just as if the poems were miniature short stories. A Long Islander, he is a practitioner of what his fellow Longislander Walt Whitman called the ‘barbaric yawp’ or what William Carlos Williams called the American idiom. Dante called it the vulgar tongue, and Tim is a practitioner of that idiom, too. Loud, brash, energetic, unapologetic, Tomlinson is in your face, and fuck you if you don’t like it.”
—M.G. Stephens, Alcohol Poems, Green Dreams, The Brooklyn Book of the Dead

 

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Louis Zukofsky once wrote that poetry’s lower limit was speech and its upper limit was music. Jen Fitzgerald’s The Art of Work recalibrates these limits for a contemporary working class poetry whose lower limit here is the killing floor or the garden-level apartment and whose upper limit might be workers’ comp or, quite simply, a shift coming to an end. The Art of Work turns this “history of necessity” into brilliant, tightly honed verse. It should be read across the classes, across the classrooms, in union halls, at literary festivals, and on the picket lines.